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Exploring Societal Constructs Through Urban Bush Women’s “Hair and Other Stories”

by Madonna

In a recent performance by the Urban Bush Women (UBW), titled “Hair and Other Stories,” the renowned dance company immersed audiences in a profound exploration of the intricate relationship between black women and their hair. The show, staged with a distinct purpose aligning with UBW’s core values, navigated the realms of racism, cultural significance, and the weaponization of hair within modern society.

Cultural and Social Commentary:

The production began by affirming its mission to stimulate critical, creative, and reflective thinking while offering bold and provocative viewpoints. UBW’s commitment to enhancing social justice consciousness was evident throughout the performance, emphasizing the power, beauty, and strength inherent in the African Diaspora.

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Interactive Engagement:

A notable interactive segment set the tone for the show, where affirmations and societal introspection were extended to women from diverse communities. This engagement served as a prelude to a journey that would delve into the complexities of black women’s hair experiences.

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The Complex Relationship with Hair:

The first half of the show explicitly unveiled the intricacies of the relationship between black women and their hair. Through interpretive dance, the audience was introduced to the tools and terminology intrinsic to black hair care, creating a shared understanding. Noteworthy performances depicted the core steps of the black hair care routine, underscoring the importance of moisturizing, detangling, and styling.

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Pain and Cultural Significance:

The narrative evolved to explore the pain associated with hair processes such as relaxing, straightening, or braiding. The show did not shy away from addressing the historical methods of mechanically straightening hair and chemically relaxing it, questioning the societal norms that drive individuals to conform to potentially harmful beauty standards.

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Hair Discrimination and Workplace Challenges:

Transitioning into the deeper cultural significance of hair for black women, the performance featured interviews highlighting hair discrimination in the workplace. Monologues underscored the systemic challenges faced by black individuals, examining the impact of societal beauty standards on their self-perception.

Abstract Representations and Liberation:

The second half of the show embraced more abstract performances, delving into the ferocity with which black women approach various aspects of life, including washing. The final act tackled the pressures of conforming to white beauty standards, symbolized by a dancer breaking free from a literal sheet of paper. This powerful metaphor culminated in a call to dismantle existing beauty standards, concluding on a celebratory note that acknowledged the role of black joy in liberation.

Recommendation and Reflection:

For attendees, the performance was a deeply emotional and thought-provoking experience. The opportunity to witness Urban Bush Women’s unique approach to theatrical storytelling, especially concerning such a commonplace yet politicized aspect as hair, left a lasting impact. The review encourages readers, regardless of their background, to explore UBW shows in their area, recognizing the transformative potential of art in fostering understanding and empathy.

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